Photo Page 6
B120
- 1.1: B120 Exterior Chassis Top Rear View
- 1.2: B120 Rear View
- 1.3: B120 Rear Exterior Chassis View
- 1.4: B120 Front Interior Chassis View
- 1.5: B120 Rear Interior Chassis View
- 2.1: B120 Front View
- 2.2: B120 Rear View
- 2.3: B120 Front Exterior Chassis View
- 2.4: B120 Top Exterior Chassis View
- 2.5: B120 Serial Number Label
L120 (External Link)
L120
- 1.1: L120 Front View
- 1.2: L120 Front Exterior Chassis View
- 1.3: L120 Rear View
- 1.4: L120 Interior Chassis View
- 2.1: L120 Front View
- 2.2: L120 Rear View
- 2.3: L120 Front Exterior Chassis View
- 2.4: L120 Rear Exterior Chassis View
- 2.5: L120 Interior Chassis View
- 2.6: L120 Serial Number Label
- 3: L/B120 with Centered Reverse Logo
120 Energizer Slave Unit
- 1.1: 120 Energiser Slave Unit Front View
- 1.2: 120 Energiser Slave Unit External Rear View
- 1.3: 120 Energiser Slave Unit Internal Rear View
120 PA
- 1: 120 PA Front View
- 2.1: 120 PA Front View
- 2.2: 120 PA Rear View
- 2.3: 120 PA External Chassis Top View
- 2.4: 120 PA Interior Chassis View
120 R
1.1:
Sound City B120 Exterior Chassis Top Rear View
~120 watts from six EL34s. The following is according to this amp's owner:
"Had a bad OT so I used a Marshall replacement and removed two
EL34s. Replaced all filter caps. Replaced all internal caps with "orange
drops." Replaced all those nasty red resistors with metal film resistors.
Preamp tubes are Sovtek 12AX7LPS (not my first choice, but what I could
find at the time). Phase-inverter (PI) tube is Groove Tubes USA 12AT7.
Output tubes are Svetlana EL34s (now SED). At some point I want to replace
the active [Mark 4] preamp with something else but haven't decided
what yet." Photos
Home Page

1.2: Sound City B120 Rear View Photos Home Page

1.3:
Sound City B120 Rear Exterior Chassis View
Note the Dallas Music Industries (DMI) rear panel label. Photos
Home Page

1.4: Sound City B120 Front Interior Chassis View Photos Home Page

1.5: Sound City B120 Rear Interior Chassis View Photos Home Page

2.1:
Sound City B120 Front View
~120 watts from six EL34s, very early DMI-era Mark 4 (IV) bass model,
black "basketweave" Tolex, original black-capped knobs, silver
vein, gold trim. Head is sitting atop a DMI-era F215 bass cabinet.
(For photos of this rare, Mahwah, NJ bass cabinet, see Photo
Page 11.) Photos
Home Page

2.2: Sound City B120 Rear View Photos Home Page

2.3:
Sound City B120 Front Exterior Chassis View
Note the positions of the five preamp tubes relative to the L120 model. Photos
Home Page

2.4: Sound City B120 Top Exterior Chassis View Photos Home Page

2.5:
Sound City B120 Serial Number Label
Note that this Dallas Music Industries (DMI) label has been glued over
a Dallas Arbiter label, which provides additional evidence that for a
time DMI-era heads were built in the UK but shipped to the US for DMI
"relabeling." (c1973/1974). Photos
Home Page

1.1:
Sound City L120 Front View
~120 watts from six JJ EL34s, heavily modified/rebuilt L120 Mark 4 (IV),
black "basketweave" Tolex, non-original "chickenhead"
knobs, silver vein, gold trim, grommet over headphone output, replica
logo. Although this amp started life as a Mark 4, it was a non-working
hulk with only some caps and both transformers and was almost completely
rewired. Photos
Home Page
(This amp is the property of this site's author.)

1.2:
Sound City L120 Front Exterior Chassis View
As part of the amp's preamp mod, only three (of five) 12AX7s remain (JJs),
and a 4-Henry Hammond choke was added as a part of the amp's noise-reduction
mod. Photos
Home Page
I originally had JJ E34Ls in this amp (as shown here) but am now using Tesla Roznov E34Ls. I liked the JJs, but the Teslas are so much nicer sounding for bass. Photos Home Page
1.4:
Sound City L120 Interior Chassis View
95% of chassis
wiring was redone and 95% of components are new, except for original Partridge
transformers and a few small odds and ends. Passive preamp mod was based
on Hoffman
Amps' "Plexi 100" mod. Output rewire was based on standard
120 Mark 4 schematic. Photos
Home Page
2.1:
Sound City L120 Front View
~120 watts
from (up to) six EL34s, Mark 4 (IV). Aside from some surface dirt and
dust, this is a fine example of an almost 100% stock Sound City L120 Mark
4. Photos
Home Page



2.4:
Sound City L120 Chassis Exterior Rear View
Only four of six EL34s being used. Photos
Home Page

Some replaced/changed components and wiring, perhaps, but essentially stock. Photos Home Page


3:
Sound City L/B120 with Centered Reverse Logo
I have no data that indicates the logo on this L/B120 was ever a standard
logo offered on Sound City amps; however, it's been suggested this logo
was used on a tape echo machine manufactured/offered by Sound City at
some point. Note also that the logo appears to be a sticker or decal,
rather than a screwed-on plate like other, more common Sound City logo
designs. That said, it's a very clean example of a Sound City 120, and
who knows, the logo could have been one used on other pieces of Sound
City gear. Photos
Home Page

1.1:
Sound City 120 Energiser Slave Unit Front View
~120 watts from six EL34s. This seldom-seen Sound City amp was exemplary
of a trend seen primarily during the 70s: extension (or "slave")
power amps without preamp tone controls. The idea behind these "slaves"
was to provide a less expensive way to add power for an extension speaker
cabinet (or cabinets) by using the Slave output of some "master"
Sound City head. These Slave outputs came after the "master"
amp's preamp, so the "slave" unit was driven by the "master"
preamp. The entire "master/slave" concept used by Sound City,
Hiwatt, SUNN, and other 70s-era manufacturers, eventually fell by the
wayside due, perhaps, to the politically incorrect nature of the nomenclature. Photos
Home Page

1.2:
Sound City 120 Energiser Slave Unit External Rear View
Note that this model's rear panel view is the reverse of a standard L/B120
head: the power selector switch is on the right and the impedance selector
switch and speaker outputs are on the left.
Another thing to consider about this model is the notion held by many that, sonically speaking, the Mark 4 active preamp is perhaps less than desirable. Would this amp provide the ideal solution? A Sound City 120's output section, which no seems to denegrate, but without the Mark 4 preamp's problems, to which many seem to point. Photos Home Page

1.3:
Sound City 120 Energiser Slave Unit Internal Rear View
Note the orientation of the six EL34s, which are positioned in two groups
of three and which is a departure from the standard 120 head's six EL34s
in line. This model seems to represent a unique chassis type; no other
Dallas Arbiter-era Sound City amp used this chassis (although the DMI-era
Sound City SMF head did have its eight EL34s in two groups of four). Also
note the orientation of the output transformer (left) and the power transformer
(right). These transformers are not only in the reverse position from
a standard 120 head, but they are turned/oriented 90 degress with respect
to one another, which is seen in only two other Sound City amps: the Bass
150 and the ST 50 PA Mark 3. Photos
Home Page

~120 watts from six EL34s, Mark 4 (IV) passive preamp, six inputs, each with Volume, Treble, and Bass, and a Master Volume. Black "basketweave" Tolex, original multi-colored knobs (except for Master Volume knob), silver vein, gold trim. A very clean example. Note the removable front panel. Photos Main Page

~120 watts from six EL34s, Mark 4 (IV) passive preamp, six inputs, each with Volume, Treble, and Bass, and a Master Volume. Black "basketweave" Tolex, original multi-colored knobs, silver vein, gold trim. To be sure, this is an extremely clean example. Photos Main Page


2.3:
Sound City 120 PA Exterior Chassis Top View
Note the black tube cover in the lower left-hand corner. This extra
tube is a "6C4 (1/2 ECC82)," which, according to this amp's
owner, is a "cathode follower" that "allows the use of
the 'reverb out' socket to drive other gear and long cables without high-frequency
loss." Photos
Main Page

Again, this is an extremely clean example of a 120 PA head! Photos Main Page

~120 watts from six EL34s. Mark 4 (IV) active preamp. The "R" stands for reverb, and the 120 R is essentially identical to the 120 except for this feature. The other difference is that the 120 R lacks the two Slave inputs, which the 120 has. Also note the power lamp is beneath the Power switch as the lamp's normal chassis opening is occupied by the Presence control, to accomodate the extra Reverb Volume control, which is the far left knob. This 120 R could be a later Dallas Arbiter model as it has all black knobs, although, these could be replacements as I've also seen 120 Rs with the typical colored knobs as well. Also note the large metal logo, which is typical of the two logo types seen in the Mark 4 era. Photos Main Page

Quite an odd collection of tubes in this one. The reverb tank (not shown) was mounted to the inside of the head cabinet's front panel, just above the chassis' control panel. Photos Main Page
